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Splićanka Martina Mikelić, mezzosopranistica s međunarodnom karijerom, debitirala je u naslovnoj ulozi Gotovčeve opere "Mila Gojsalića" na sceni splitskog HNK-a. Očekuju je još dva nastupa, u subotu 13. travnja i u ponedjeljak 15. travnja. U rodni je grad stigla na poziv još uvijek aktualne ravnateljice Opere Ivane Srbljan, a ne samo da je debitirala u Splitu i u Hrvatskoj, nego je prvi put otpjevala i ulogu u operi koju prije nije poznavala, ali se u nju zaljubila "na prvu notu".

Martina Mikelić je studij solo-pjevanja diplomirala na Muzičkoj akademiji Sveučilišta za glazbu i izvedbene umjetnosti u Beču, gdje je i magistrirala u koncertnoj klasi prof. Roberta Holla, da bi u 23. godini života bila primljena u ansambl Državne opere u Beču.

Još tijekom studija bila je nominirana za Nagradu austrijskog glazbenog kazališta te je bila jedan od deset najvećih talenata austrijskih umjetničkih sveučilišta. Slijedi bogata karijera, nastupi na brojnim svjetskim opernim pozornicama i festivalima, kao što su Staatsoper i Konzerthaus u Beču, Komische Oper u Berlinu, moskovski Državni konzervatorij Petra Iljiča Čajkovskog, rimska Accademia Nazionale di Santa Cecilia i mnogim drugim.

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HNK SPLIT
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– Mislim da je "Mila Gojsalića" opera svjetske klase, morala bi biti izvedena u svijetu! U njoj čujem i Wagnera i Verdija, a malo je djela s takvim spektrom emocija. Od pastelnih boja seoskih zaruka, ugođaj se naglo mijenja, stiže crnilo rata i neizvjesnosti. Potom, tu je čuvena, domoljubna i moćna "Oda zemlji", vrlo kompleksan odnos glavne junakinje i Topan-paše te sjajna, bijela smrt – navodi mezzosopranistica.

"Mila Gojsalića" je u režiji Ozrena Prohića premijerno izvedena prije nešto više od godinu dana. U postavi se promijenilo više solista, a uz Martinu Mikelić kao Topan-paša debitirao je i bas Božo Župić, inače stalni vanjski suradnik splitskog teatra.

– Želim mu čestitiati na odličnom nastupu. Jednostavan je i iskren čovjek i sjajan umjetnik. Upravo taj scenski odnos između Mile i Topan-paše najslojevitiji je i nabijen emocijama. Ona mu dolazi s nasljeđem odgoja, tradicijom, spremnošću na žrtvu i zaručena. Spremna je umrijeti, ali on nudi ljubav, želi je pridobiti i dolazi do "iskrenja", nedvojbeno se među njima razvija ljubavna kemija, dok joj ne uvrijedi oca.

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Saša Burić/Cropix
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Taj dio je bio i najizazovniji u pripremi uloge, ali pripremala sam se temeljito. Inače svakoj ulozi pristupam jednako ozbiljno, bilo da je to Treća dama u "Čarobnoj fruli" ili Carmen. Želim da publika ode iz kazališta s osjećajem da je nešto kvalitetno dobila, da im se nešto posebno dogodilo, a prema reakcijama, upravo se to i zbilo na splitskoj sceni – kaže Martina Mikelić.

Mezzosopranistica gradi karijeru u svijetu već punih dvadeset godina.

Zanimalo nas je kako to da nikada do sada nije pjevala u Hrvatskoj.

– Pa, to pokazuje sliku našeg društva. Otišla sam iz Splita s 18 godina, na studij. Bila sam prisiljena otići negdje gdje se cijeni kvaliteta. Ruža Pospiš Baldani, kod koje sam željela učiti, ali je taman bila otišla u mirovinu, tako mi je savjetovala. Došla sam u zemlju čiji jezik nisam znala, primljena sam na studij i kasnije na posao bez veza i vezica – samo na temelju kvalitete.

Dvadeset godina nije kratak period. Mnogo toga se promijenilo i u načinu života... Putovala sam autobusom, a svoje u Splitu nazivala iz telefonske govornice jer su pozivi putem mobitela bili preskupi. Danas mnogo naših umjetnika živi i radi vani, u kontaktu sam s njima i znam da bi se mnogi rado vratili, ali treba im za to stvoriti uvjete i dobro ih platiti – misli Martina Mikelić, koja uz to opaža da je danas u Hrvatskoj mnogo toga skuplje nego u drugim europskim zemljama. A takvu zemlju imamo da bismo u njoj mogli živjeti kao kraljevi...

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Saša Burić/Cropix
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Ipak, Split je "doma", a Beč i drugi gradovi u kojima zbog nastupa stanuje – ne toliko.

U raznim programima našu sugovornicu navode kao mezzosopranisticu, ali i kontraaltisticu. Međutim, ona ne voli "svrstavanje u ladice".

– Po vlastitom osjećaju sam kontraalt, dakle, glas tenorske dubine i sopranske visine, i to s rasponom od tri oktave. Obično se misli da je za kontraalt pisano malo uloga, ali to nije točno. Mnoge su zastupljene u opernim djelima, ali, kako je glas rijedak, obično ih pjevaju mezzosoprani pa se tako i navode. Recimo, Amneris u "Aidi", koju sam također pjevala, izvorno je kontraalt.

Martina Mikelić nakon Splita putuje za Stuttgart, gdje će nastupiti u Wagnerovoj operi "Sumrak bogova" ("Götterdämmerung").

O tome kako je doživjela splitsku publiku, kaže:

– Dobro znam kakva je naša publika i njezin mentalitet jer sam do osamnaeste godine stalno odlazila u kazalište i na Splitska ljeta. Ovdje, sve što je dobro podrazumijeva se, a oko svega lošeg se cjepidlači. Ali, istina je i to da Split zaslužuje najbolje.

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Splićanka Martina Mikelić, mezzosopranistica s međunarodnom karijerom, debitirala je u naslovnoj ulozi Gotovčeve opere "Mila Gojsalića" na sceni splitskog HNK-a. Očekuju je još dva nastupa, u subotu 13. travnja i u ponedjeljak 15. travnja. U rodni je grad stigla na poziv još uvijek aktualne ravnateljice Opere Ivane Srbljan, a ne samo da je debitirala u Splitu i u Hrvatskoj, nego je prvi put otpjevala i ulogu u operi koju prije nije poznavala, ali se u nju zaljubila "na prvu notu".

Martina Mikelić je studij solo-pjevanja diplomirala na Muzičkoj akademiji Sveučilišta za glazbu i izvedbene umjetnosti u Beču, gdje je i magistrirala u koncertnoj klasi prof. Roberta Holla, da bi u 23. godini života bila primljena u ansambl Državne opere u Beču.

Još tijekom studija bila je nominirana za Nagradu austrijskog glazbenog kazališta te je bila jedan od deset najvećih talenata austrijskih umjetničkih sveučilišta. Slijedi bogata karijera, nastupi na brojnim svjetskim opernim pozornicama i festivalima, kao što su Staatsoper i Konzerthaus u Beču, Komische Oper u Berlinu, moskovski Državni konzervatorij Petra Iljiča Čajkovskog, rimska Accademia Nazionale di Santa Cecilia i mnogim drugim.

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HNK SPLIT
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– Mislim da je "Mila Gojsalića" opera svjetske klase, morala bi biti izvedena u svijetu! U njoj čujem i Wagnera i Verdija, a malo je djela s takvim spektrom emocija. Od pastelnih boja seoskih zaruka, ugođaj se naglo mijenja, stiže crnilo rata i neizvjesnosti. Potom, tu je čuvena, domoljubna i moćna "Oda zemlji", vrlo kompleksan odnos glavne junakinje i Topan-paše te sjajna, bijela smrt – navodi mezzosopranistica.

"Mila Gojsalića" je u režiji Ozrena Prohića premijerno izvedena prije nešto više od godinu dana. U postavi se promijenilo više solista, a uz Martinu Mikelić kao Topan-paša debitirao je i bas Božo Župić, inače stalni vanjski suradnik splitskog teatra.

– Želim mu čestitiati na odličnom nastupu. Jednostavan je i iskren čovjek i sjajan umjetnik. Upravo taj scenski odnos između Mile i Topan-paše najslojevitiji je i nabijen emocijama. Ona mu dolazi s nasljeđem odgoja, tradicijom, spremnošću na žrtvu i zaručena. Spremna je umrijeti, ali on nudi ljubav, želi je pridobiti i dolazi do "iskrenja", nedvojbeno se među njima razvija ljubavna kemija, dok joj ne uvrijedi oca.

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Saša Burić/Cropix
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Taj dio je bio i najizazovniji u pripremi uloge, ali pripremala sam se temeljito. Inače svakoj ulozi pristupam jednako ozbiljno, bilo da je to Treća dama u "Čarobnoj fruli" ili Carmen. Želim da publika ode iz kazališta s osjećajem da je nešto kvalitetno dobila, da im se nešto posebno dogodilo, a prema reakcijama, upravo se to i zbilo na splitskoj sceni – kaže Martina Mikelić.

Mezzosopranistica gradi karijeru u svijetu već punih dvadeset godina.

Zanimalo nas je kako to da nikada do sada nije pjevala u Hrvatskoj.

– Pa, to pokazuje sliku našeg društva. Otišla sam iz Splita s 18 godina, na studij. Bila sam prisiljena otići negdje gdje se cijeni kvaliteta. Ruža Pospiš Baldani, kod koje sam željela učiti, ali je taman bila otišla u mirovinu, tako mi je savjetovala. Došla sam u zemlju čiji jezik nisam znala, primljena sam na studij i kasnije na posao bez veza i vezica – samo na temelju kvalitete.

Dvadeset godina nije kratak period. Mnogo toga se promijenilo i u načinu života... Putovala sam autobusom, a svoje u Splitu nazivala iz telefonske govornice jer su pozivi putem mobitela bili preskupi. Danas mnogo naših umjetnika živi i radi vani, u kontaktu sam s njima i znam da bi se mnogi rado vratili, ali treba im za to stvoriti uvjete i dobro ih platiti – misli Martina Mikelić, koja uz to opaža da je danas u Hrvatskoj mnogo toga skuplje nego u drugim europskim zemljama. A takvu zemlju imamo da bismo u njoj mogli živjeti kao kraljevi...

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Saša Burić/Cropix
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Ipak, Split je "doma", a Beč i drugi gradovi u kojima zbog nastupa stanuje – ne toliko.

U raznim programima našu sugovornicu navode kao mezzosopranisticu, ali i kontraaltisticu. Međutim, ona ne voli "svrstavanje u ladice".

– Po vlastitom osjećaju sam kontraalt, dakle, glas tenorske dubine i sopranske visine, i to s rasponom od tri oktave. Obično se misli da je za kontraalt pisano malo uloga, ali to nije točno. Mnoge su zastupljene u opernim djelima, ali, kako je glas rijedak, obično ih pjevaju mezzosoprani pa se tako i navode. Recimo, Amneris u "Aidi", koju sam također pjevala, izvorno je kontraalt.

Martina Mikelić nakon Splita putuje za Stuttgart, gdje će nastupiti u Wagnerovoj operi "Sumrak bogova" ("Götterdämmerung").

O tome kako je doživjela splitsku publiku, kaže:

– Dobro znam kakva je naša publika i njezin mentalitet jer sam do osamnaeste godine stalno odlazila u kazalište i na Splitska ljeta. Ovdje, sve što je dobro podrazumijeva se, a oko svega lošeg se cjepidlači. Ali, istina je i to da Split zaslužuje najbolje.

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Saša Burić/Cropix HNK SPLIT Saša Burić/Cropix Saša Burić/Cropix Saša Burić/Cropix Saša Burić/Cropix
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KazališteNOVA MILA GOJSALIĆA

Splićanka Martina Mikelić prvi put u splitskom HNK: Morala sam karijeru graditi vani, tamo je važna kvaliteta, a ne veza

Piše Jasmina Parić
12. travnja 2024. - 16:43
26955404
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Saša Burić/Cropix

Splićanka Martina Mikelić, mezzosopranistica s međunarodnom karijerom, debitirala je u naslovnoj ulozi Gotovčeve opere "Mila Gojsalića" na sceni splitskog HNK-a. Očekuju je još dva nastupa, u subotu 13. travnja i u ponedjeljak 15. travnja. U rodni je grad stigla na poziv još uvijek aktualne ravnateljice Opere Ivane Srbljan, a ne samo da je debitirala u Splitu i u Hrvatskoj, nego je prvi put otpjevala i ulogu u operi koju prije nije poznavala, ali se u nju zaljubila "na prvu notu".

Martina Mikelić je studij solo-pjevanja diplomirala na Muzičkoj akademiji Sveučilišta za glazbu i izvedbene umjetnosti u Beču, gdje je i magistrirala u koncertnoj klasi prof. Roberta Holla, da bi u 23. godini života bila primljena u ansambl Državne opere u Beču.

Još tijekom studija bila je nomini...

#MARTINA MIKELIĆ #SPLITSKI TEATAR#OPERA#MILA GOJSALIĆA
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12. svibanj 2024 02:57